Modern humanity is an ever evolving cyborg, unable to
function without it’s social structures and human implication appendages, equally
so it’s technological and computation appendages, raising debates of control and
emancipation through the streams of humanity and technology. Antoine Picon questions
whether history and architectural development is relevant in a technological
age of design, commenting in an ever reminiscent fashion of Jean-Louis Cohen on
the impact of the industrial revolution upon the built environment and social
constructs. However he draws conclusion that the implementation of digital
tools are a hybridisation of the current human condition resulting in the
notion “a home for cyborgs”. Thus Picon constructs his three themes that will
serve as trends for design in the digital age.
Digital technologies have a tendency to alter the physical realm;
Picon believes that “materiality as a way to understand our world both distinct
and direct to us.” Noting the revival of ornament as a surface condition rather
than a localised element, digital interaction will no doubtably trend towards
an altered interaction with the physical realm, giving the designer the ability
to engage sensory inputs and perceptions.
The individual by definition is a highly unique object,
Picon criticises the segmentation of individuals through design which is all to
enticing given the trend of blogs, social networking and targeted advertising.
He prophesies that architects should view the individual in the context of its
environment, alluding to historical notions of city design and the public
shared realm, concluding that the individual is an extension of the natural
environment and that segmentation is a determinate for the established ignorance
of social inequities.
Lastly, Picon conjures up the theme of occurrence, events
and scenarios as a perpetuating factor of future design. The use of precedence
is ever important in the evaluation and evolution of space, Picon believes that
digital modelling of scenarios is key to urban development and that designers should
pay attention to their frequency. However I personally feel his grasp of this
concept lacks the inclusion of historical geo-political occurrence, where
social upheaval or collective trauma give way to a renascence of social behavior that the built environment must accommodate for.
Through these themes there is an ever present interaction
between humanity and technology in a day to day environment, highlighting the
true reality of the cyborg, not as a fictional dystopic character with aspirations
of human demise but as a reality of humanity’s dependence on the ‘device’ ever
since the invention of the personal computer. Picon then prescribes the true
nature of the future built environment where the digital and reality are
connected as an indecipherable hybridised state.
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